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I added shoulder pads to the cardigan to create a more authoritative silhouette standing at the lectern. It's not what you'd expect someone to wear at this moment, which is the intention: Arabella never does what's expected. The aztec cardigan is vintage and an unusual design. The bright red vest top signals alarm to the audience but the cardigan and lipstick were deliberately feminine, which helped to misdirect the audience as to what she was about to do and made the outcome more shocking. With this in mind, I picked khaki green trousers and black stacked boots that both felt militant and powerful. For this reason, it felt appropriate that she would also wear a cardigan for this scene when she takes down her perpetrator. It was a decision for Arabella to wear cardigans for all the major events in the series. Lots of consideration and deliberation as to what Arabella should wear in this significant moment.
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It's a professional event that Arabella feels she would smarten up for, but she's about to out publicly Zain for rape. The remaining episodes focus on Arabella trying to piece together the strobe-like memories of a unidenfitiable man raping her, with the help of her friends Terry (Weruche Opia) and Kwame (Paapa Essiedu).Īrabella's outfit for the writer's summit in episode five was a challenging costume to design. There's a cut on her forehead, her phone is smashed and (most worrisome of all) her memory has been wiped of the past few hours. The next morning she rallies to get her draft submitted on time, but something is amiss. Shots, shots, shots and a few bumps of coke later, Arabella is knocking over drinks and gripping chairs to try and stand up straight. Now working on her second novel, Arabella takes a break amidst a deadline to meet up with some of her friends for an impromptu night out. Nicholas Hoult is sensational as Peter, bringing a thousand shades of whimsical cruelty to the violent delights of the Russian court.If you haven't been watching Michaela Coel's I May Destroy You then, to quote former New Jersey governor Chris Christie on his GW Bridge scandal in 2014, "Mistakes were made." The show - created, written, co-directed, and executive produced by 32-year-old Coel - centers around her character Arabella, a social media star who has parlayed viral fame into a book deal. Catherine vows to dethrone him and take over as the visionary ruler of a more progressive Russia, but unseating a despot is never easy. Fanning is sensational as the naive and idealistic Catherine, whose illusions about love and marriage are quickly dispelled by the dawning reality that Peter is a violent, capricious, small-minded man-and a danger to Russia. On the opposite end of the spectrum is this year’s Catherine offering: Hulu’s The Great, a 10-episode historical comedy starring Elle Fanning as the young German princess shipped off to Russia to become a bride for the depraved and dangerous Emperor Peter III. Late last year, the Russian ruler came to HBO in Catherine, a four-part miniseries starring Helen Mirren as the legendary empress in the twilight of her life. You stay where you're at.Ĭatherine the Great is having a moment. We're thankful for everything you gave us-except you, Carole Baskin. Thanks for being the friend we didn't know we'd rely on so much this year. Parsing all those hours of content down into a short list is a feat, but we settled on 35 of the year's best pockets of television.
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And mind you-that takes us only to March.Ģ020's slate of television series led us down a dark rabbit hole of competitive chess, properly acquainted us with the genius of Michaela Coel, reminded us just how incredible ol' Michael Jordan is, and sent us along on an emotional journey through a galaxy far, far away. Remember the beginning of the year when everyone was obsessed with those people who lived in isolation, communicating primarily through a social media app called " The Circle?" And remember how we all thought that would be the worst? Then we were treated to a glimpse into the world of tiger maintenance and murder conspiracies, sprinkled with a bit of feminist history. Looking back at a year's worth of television is always a curious exercise because, to some extent, it reveals something about where we're at as a culture. As the kids online say, "We ate good this year."
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After a year primarily spent in quarantine, television had the impossible job of giving us prestige drama, high camp, lowly reality TV snackables, and also Al Pacino fighting Nazis.
We made it to the end of the year, and while there are probably a long list of people you might want to thank for getting you to this point, the real hero this year has been television.