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The following images feature the same subject captured with each of the lenses under test at the minimum focus distance-meaning, the closest focus distance still allowing the lens to properly focus. Three macros under test (L–R): Sony E 30mm f/3.5, Sony FE 50mm f/2.8, and Sony FE 90mm f/2.8 The review systems: Sony a6500 cameras in Fantasea’s FA6500 housings In Part 2, we look at a variety of fisheye lenses for wide-angle work underwater. For the sake of eliminating the effects of any interfering variables when comparing how these lenses perform, each dive was carried out using several camera systems, allowing us to capture comparison images with all three lenses at the same spot and at the same time. Our testing was carried out using the Sony a6500 camera in the Fantasea FA6500 housing with the FML port system, together with Sea&Sea YS-250 and Ikelite DS-160 dual strobe systems. Here, in Part 1, we evaluate three macro lenses, the Sony E 30mm f/3.5, the Sony FE 50mm f/2.8, and the Sony FE 90mm f/2.8. As we focused on cropped-sensor cameras, some of the conclusions we’ve drawn may vary for full-frame cameras. In selecting lenses to test, we chose those considered most popular for E-mount cameras (dry or wet), and we also included lenses of various focal lengths and price points. Our aim wasn’t just to find out what these lenses are really worth to underwater shooters, but also what techniques can be used to fully utilize their potential.
![sony macro lens sony macro lens](https://d5rxi971u7oeu.cloudfront.net/5/1/images/catalog/i/xl_115477-Voigtlander-110-mm-Macro-Lens-for-Sony-E-Mount.jpg)
In this two-part article, we comprehensively examine and compare the underwater performance of some of the most popular lenses for Sony E-mount cropped-sensor cameras, taking into account the unique optical, compositional and logistical challenges awaiting us photographers beneath the surface.
![sony macro lens sony macro lens](https://www.the-digital-picture.com/Images/Pics/2013/2013-06-08_18-21-29.jpg)
However, while the lenses that work well in underwater imaging for the Nikon and Canon mounts are well known, most of what has been written about lenses for Sony E-mount cameras relates to how well they perform topside. Sony’s mirrorless cameras have proven to be hugely popular with underwater shooters, giving DSLRs a run for their money.